Perec, Georges
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− | '''Georges Perec''' (March 7, 1936 | + | [[category:image wanted]] |
+ | '''Georges Perec''' (March 7, 1936 – March 3, 1982) was a twentieth-century [[Judaism|Jewish]] [[France|French]] novelist, filmmaker and essayist, and a key member of [[Oulipo]], a twentieth-century literary movement advocating the invention of new, complex literary forms. Perec is widely considered one of the most innovative and technically accomplished of twentieth-century fiction writers; his works include ''La disparation'' ''(A Void)'', a novel written entirely without use of the letter "e," and ''La vie, mode d'emploi'' (''Life: A User's Manual''), a novel describing every room and inhabitant of a single Paris apartment complex. | ||
+ | {{readout||right|250px|Georges Perec's detective novel ''La disparation'' was written entirely without using the letter "e"}} | ||
+ | {{toc}} | ||
+ | Acclaimed for his formal brilliance as well as for his wit, wordplay, and delicate sense of melancholic irony, Perec is one of the most important authors of twentieth-century French literature, and one of the most widely influential fiction writers of the post-[[World War II]] generation. | ||
==Life== | ==Life== | ||
− | Perec was born in a working class neighborhood in [[Paris]], the only son of Icek Judko and Cyrla (Schulewicz) Peretz, Polish Jews who had emigrated to France in the 1920s. He was a distant relation of Yiddish writer I.L. Peretz. Perec's father | + | Georges Perec was born on March 7, 1936 in a working class neighborhood in [[Paris]], the only son of Icek Judko and Cyrla (Schulewicz) Peretz, Polish Jews who had emigrated to [[France]] in the 1920s. He was a distant relation of Yiddish writer I.L. Peretz. Perec's father enlisted in the French Army during [[World War II]] and died in 1940 from unattended gunfire or shrapnel wounds. Perec's mother perished in the [[Nazism|Nazi]] [[the Holocaust|Holocaust]], probably in the [[Auschwitz]] death camp. Perec was taken into the care of his paternal aunt and uncle in 1942, and in 1945 he was formally [[adoption|adopted]] by them. |
− | He started writing reviews and essays for ''Nouvelle Revue Française'' and ''Les Lettres Nouvelles'', prominent literary publications, while studying [[history]] and [[sociology]] at the Sorbonne. In 1958- | + | He started writing reviews and essays for ''Nouvelle Revue Française'' and ''Les Lettres Nouvelles'', prominent literary publications, while studying [[history]] and [[sociology]] at the [[Sorbonne]]. In 1958-1959 Perec served in the army, marrying Paulette Petras after being discharged. They spent one year (1960-1961) in [[Tunisia]], where Paulette worked as a teacher. |
In 1961, Perec began working as an archivist at the Neurophysiological Research Laboratory attached to the Hôpital Saint-Antoine, a low paid position he kept until 1978. A few reviewers have noted that the daily handling of records and variegated data may have had an influence on his literary style. Perec's other major influence was the literary movement [[Oulipo]], short for ''Ouvroir de Littérature Potentielle'' (Workshop of Potential Literary) which he joined in 1967 after meeting [[Raymond Queneau]]. Perec dedicated his masterpiece, ''La Vie mode d'emploi'' (''Life: A User's Manual'') to Queneau, who died before it was published. | In 1961, Perec began working as an archivist at the Neurophysiological Research Laboratory attached to the Hôpital Saint-Antoine, a low paid position he kept until 1978. A few reviewers have noted that the daily handling of records and variegated data may have had an influence on his literary style. Perec's other major influence was the literary movement [[Oulipo]], short for ''Ouvroir de Littérature Potentielle'' (Workshop of Potential Literary) which he joined in 1967 after meeting [[Raymond Queneau]]. Perec dedicated his masterpiece, ''La Vie mode d'emploi'' (''Life: A User's Manual'') to Queneau, who died before it was published. | ||
− | Perec began working on a series of radio plays with his translator Eugen Helmle and the musician Philippe Drogoz in the late | + | Perec began working on a series of [[radio]] plays with his translator Eugen Helmle and the musician Philippe Drogoz in the late 1960s; less than a decade later, he was making films. His first work, based on his novel ''Un Homme qui dort'', was co-directed by Bernard Queysanne, and won the ''Prix Jean Vigo'' in 1974. Perec also created [[crossword puzzle]]s for ''Le Point'' from 1976 on. |
− | ''La Vie mode d'emploi'' (1978) brought Perec great financial and critical success—winning the ''Prix Médicis''—which allowed Perec to turn to writing full-time. He was a writer in residence at the University of Queensland, [[Australia]] in 1981, during which time he worked on the unfinished ''53 Jours'' | + | ''La Vie mode d'emploi'' (1978) brought Perec great financial and critical success—winning the ''Prix Médicis''—which allowed Perec to turn to writing full-time. He was a writer in residence at the University of Queensland, [[Australia]] in 1981, during which time he worked on the unfinished ''53 Jours'' ''(53 Days)''. Shortly after his return from Australia, his health deteriorated. A heavy smoker, he was diagnosed with [[lung cancer]]. He died the following year, only forty-five years old. |
==Work== | ==Work== | ||
− | Many of | + | Many of Perec's novels and essays abound with experimental wordplay, lists, and other novel formal innovations. Beneath the [[irony]], playfulness, and experimentation of his works, many critics have also noticed a deeper melancholy, reflecting Perec's search for new forms of meaningful expression in the radically changing world of the twentieth century. Perec is widely considered to be one of the most influential formal innovators of fiction of the twentieth century, ranking alongside the like of [[James Joyce|Joyce]] and [[Jorge Luis Borges|Borges]] for sheer inventive genius. |
In 1978, Perec won the ''prix Médicis'' for ''Life: A User's Manual'' which is universally considered to be his masterpiece. Each of the 99 chapters of the novel examine a different room of a Parisian apartment complex, describing inhabitants and revealing touching stories just beneath the surface of even the most unassuming of locales. | In 1978, Perec won the ''prix Médicis'' for ''Life: A User's Manual'' which is universally considered to be his masterpiece. Each of the 99 chapters of the novel examine a different room of a Parisian apartment complex, describing inhabitants and revealing touching stories just beneath the surface of even the most unassuming of locales. | ||
− | Perec is also noted for | + | Perec is also noted for his 300 page novel ''La disparition'' (1969), a seemingly straightforward detective novel, which is a [[lipogram]] written entirely without the letter "e." It has been translated into English by Gilbert Adair under the title ''A Void'' (1994). Likewise, Perec's novella ''Les revenentes'' (1972) is a complementary piece in which the letter "e" is the only vowel used. This even affects the title, which would conventionally be spelled ''Reven'''a'''ntes''. An English translation by Ian Monk was published in 1996 as ''The Exeter Text: Jewels, Secrets, Sex'' in the collection ''Three''. |
− | ''W ou le souvenir d'enfance'', (''W, or, the Memory of Childhood'', 1975) is a semi-autobiographical work, where Perec masterfully interweaves two storylines. Two alternating narratives make up the volume, one a fictional outline of a totalitarian island country called "W" | + | ''W ou le souvenir d'enfance'', (''W, or, the Memory of Childhood'', 1975) is a semi-autobiographical work, where Perec masterfully interweaves two storylines. Two alternating narratives make up the volume, one a fictional outline of a totalitarian island country called "W," patterned partly on life in a [[concentration camp]], and the second, descriptions of [[childhood]], that merge towards the end when the common theme of the [[Holocaust]] emerges. |
− | ==Bibliography== | + | == Legacy == |
+ | Perec is widely considered one of the most innovative and technically accomplished of twentieth-century fiction writers. His ''La disparation'' ''(A Void)'' is a novel written entirely without use of the letter "e." ''La vie, mode d'emploi'' (''Life: A User's Manual'') is a novel describing every room and inhabitant of a single Paris apartment complex. | ||
+ | |||
+ | Acclaimed for his formal brilliance as well as for his wit, wordplay, and delicate sense of melancholic irony, Perec is one of the most important authors of twentieth-century French literature, and one of the most widely influential fiction writers of the post-[[World War II]] generation. | ||
+ | |||
+ | ===Bibliography=== | ||
The most complete bibliography of Perec's works is Bernard Magné ''Tentative d'inventaire pas trop approximatif des écrits de Georges Perec'' (Toulouse, Presses Universitaires du Mirail, 1993). | The most complete bibliography of Perec's works is Bernard Magné ''Tentative d'inventaire pas trop approximatif des écrits de Georges Perec'' (Toulouse, Presses Universitaires du Mirail, 1993). | ||
Line 36: | Line 46: | ||
| 1965 | | 1965 | ||
| ''Les Choses: Une histoire des années soixante'' (Paris: René Juillard, 1965) | | ''Les Choses: Une histoire des années soixante'' (Paris: René Juillard, 1965) | ||
− | | 'Things: A Story of the Sixties' in | + | | ''Things: A Story of the Sixties'' in ''Things: A Story of the Sixties & A Man Asleep'' trans. by [[David Bellos]] and [[Andrew Leak]] (London: Vintage, 1999) |
|- | |- | ||
| 1966 | | 1966 | ||
| ''Quel petit vélo à guidon chromé au fond de la cour?'' (Paris: Denoël, 1966) | | ''Quel petit vélo à guidon chromé au fond de la cour?'' (Paris: Denoël, 1966) | ||
− | | 'Which Moped with Chrome-plated Handlebars at the Back of the Yard?', | + | | ''Which Moped with Chrome-plated Handlebars at the Back of the Yard?'', trans. by [[Ian Monk]] in ''Three by Perec'' (Harvill Press, 1996) |
|- | |- | ||
| 1967 | | 1967 | ||
| ''Un homme qui dort'' (Paris: Denoël, 1967) | | ''Un homme qui dort'' (Paris: Denoël, 1967) | ||
− | | 'A Man Asleep', trans. by [[Andrew Leak]] in ''Things: A Story of the Sixties & A Man Asleep'' (London: Vintage, 1999) | + | | ''A Man Asleep'', trans. by [[Andrew Leak]] in ''Things: A Story of the Sixties & A Man Asleep'' (London: Vintage, 1999) |
|- | |- | ||
| 1969 | | 1969 | ||
− | | ''La Disparition'' (Paris: Denoël, 1969) | + | | ''La Disparition'' (Paris: Denoël, 1969) |
| ''A Void'', trans. by [[Gilbert Adair]] (London: Harvill, 1994) | | ''A Void'', trans. by [[Gilbert Adair]] (London: Harvill, 1994) | ||
|- | |- | ||
Line 57: | Line 67: | ||
| 1972 | | 1972 | ||
| ''Les Revenentes'', (Paris: Julliard, 1972) | | ''Les Revenentes'', (Paris: Julliard, 1972) | ||
− | | 'The Exeter Text: Jewels, Secrets, Sex', trans. by Ian Monk in ''Three by Perec'' (Harvill Press, 1996) | + | | ''The Exeter Text: Jewels, Secrets, Sex'', trans. by Ian Monk in ''Three by Perec'' (Harvill Press, 1996) |
|- | |- | ||
| 1972 | | 1972 | ||
− | | ''Die Maschine'', (Stuttgart: Reclam, 1972) | + | | ''Die Maschine'', (Stuttgart: Reclam, 1972) |
− | | | + | | ''The Machine'', trans. by Ulrich Schönherr in "The Review of Contemporary Fiction: Georges Perec Issue: Spring 2009 Vol. XXIX, No. 1" (Chicago: Dalkey Archive, 2009) |
|- | |- | ||
| 1973 | | 1973 | ||
− | | ''La Boutique obscure: 124 rêves'', (Paris: Denoël, 1973) | + | | ''La Boutique obscure: 124 rêves'', (Paris: Denoël, 1973) |
| - | | - | ||
|- | |- | ||
| 1974 | | 1974 | ||
− | | ''Espèces d'espaces'' (Paris: Galilée 1974) | + | | ''Espèces d'espaces'' (Paris: Galilée 1974) |
| ''Species of Spaces and Other Pieces'', ed. and trans. by John Sturrock (London: Penguin, 1997) | | ''Species of Spaces and Other Pieces'', ed. and trans. by John Sturrock (London: Penguin, 1997) | ||
|- | |- | ||
| 1974 | | 1974 | ||
− | | ''Ulcérations'', (Bibliothèque oulipienne, 1974) | + | | ''Ulcérations'', (Bibliothèque oulipienne, 1974) |
| - | | - | ||
|- | |- | ||
| 1975 | | 1975 | ||
− | | ''W ou le souvenir d'enfance'' (Paris: Denoël, 1975) | + | | ''W ou le souvenir d'enfance'' (Paris: Denoël, 1975) |
| ''W, or, the Memory of Childhood'', trans. by David Bellos (London: Harvill, 1988) | | ''W, or, the Memory of Childhood'', trans. by David Bellos (London: Harvill, 1988) | ||
|- | |- | ||
| 1975 | | 1975 | ||
| ''Tentative d'épuisement d'un lieu parisien'' (Paris: Christian Bourgois, 1975) | | ''Tentative d'épuisement d'un lieu parisien'' (Paris: Christian Bourgois, 1975) | ||
− | | | + | | ''An Attempt at Exhausting a Place in Paris'', trans. by Marc Lowenthal (Cambridge, MA: Wakefield Press, 2010) |
|- | |- | ||
| 1976 | | 1976 | ||
− | | ''Alphabets'' illust. by Dado (Paris: Galilée, 1976) | + | | ''Alphabets'' illust. by Dado (Paris: Galilée, 1976) |
| - | | - | ||
|- | |- | ||
| 1978 | | 1978 | ||
| ''Je me souviens'', (Paris: Hachette, 1978) | | ''Je me souviens'', (Paris: Hachette, 1978) | ||
− | | | + | | ''Memories'', trans./adapted by Gilbert Adair (in ''Myths and Memories'' London: Harper Collins, 1986) |
|- | |- | ||
| 1978 | | 1978 | ||
− | | ''La Vie mode d'emploi'' (Paris: Hachette, 1978) | + | | ''La Vie mode d'emploi'' (Paris: Hachette, 1978) |
| ''Life: A User's Manual'', trans. by David Bellos (London: Vintage, 2003) | | ''Life: A User's Manual'', trans. by David Bellos (London: Vintage, 2003) | ||
|- | |- | ||
| 1979 | | 1979 | ||
− | | ''Les mots croisés'', | + | | ''Les mots croisés'', (Mazarine, 1979) |
| - | | - | ||
|- | |- | ||
| 1979 | | 1979 | ||
− | | ''Un cabinet d'amateur'', | + | | ''Un cabinet d'amateur'', (Balland, 1979) |
− | | | + | | ''A Gallery Portrait'', trans. by Ian Monk (in ''Three by Perec'' Harvill Press, 1996) |
|- | |- | ||
| 1979 | | 1979 | ||
− | | ''film-script: | + | | ''film-script: Alfred et Marie'', 1979 |
| - | | - | ||
|- | |- | ||
| 1980 | | 1980 | ||
− | | ''La Clôture et autres poèmes'', (Paris: Hachette, 1980) | + | | ''La Clôture et autres poèmes'', (Paris: Hachette, 1980) |
| - | | - | ||
|- | |- | ||
Line 116: | Line 126: | ||
|- | |- | ||
| 1981 | | 1981 | ||
− | | ''Théâtre I'', | + | | ''Théâtre I'', (Paris: Hachette, 1981) |
| - | | - | ||
|- | |- | ||
| 1982 | | 1982 | ||
− | | ''Epithalames'', (Bibliothèque oulipienne, 1982) | + | | ''Epithalames'', (Bibliothèque oulipienne, 1982) |
| - | | - | ||
|- | |- | ||
| 1982 | | 1982 | ||
− | | ''prod: Catherine Binet's Les Jeux de la Comtesse Dolingen de Gratz'', 1980-82 | + | | ''prod: Catherine Binet's Les Jeux de la Comtesse Dolingen de Gratz'', 1980-82 |
| - | | - | ||
|- | |- | ||
| 1985 | | 1985 | ||
| ''Penser Classer'' (Paris: Hachette, 1985) | | ''Penser Classer'' (Paris: Hachette, 1985) | ||
− | | | + | | ''Thoughts of Sorts'', trans. by David Bellos (Boston: David R. Godine, 2009) |
|- | |- | ||
| 1986 | | 1986 | ||
− | | ''Les mots croisés II'', | + | | ''Les mots croisés II'', (P.O.L.-Mazarine, 1986) |
| - | | - | ||
|- | |- | ||
Line 144: | Line 154: | ||
|- | |- | ||
| 1989 | | 1989 | ||
− | | ''Voeux'', (Paris: Seuil, 1989) | + | | ''Voeux'', (Paris: Seuil, 1989) |
| - | | - | ||
|- | |- | ||
| 1991 | | 1991 | ||
− | | ''Cantatrix sopranica L. et aitres écrits scientifiques'', (Paris: Seuil, 1991) | + | | ''Cantatrix sopranica L. et aitres écrits scientifiques'', (Paris: Seuil, 1991) |
− | | | + | | ''Cantatrix sopranica L. Scientific Papers'' with Harry Mathews (London: Atlas Press, 2008) |
|- | |- | ||
| 1992 | | 1992 | ||
− | | ''L.G.: Une aventure des années soixante'', (Paris: Seuil, 1992) | + | | ''L.G.: Une aventure des années soixante'', (Paris: Seuil, 1992) |
| - | | - | ||
|- | |- | ||
Line 183: | Line 193: | ||
==References== | ==References== | ||
− | * | + | * Bellos, David. ''Georges Perec: A Life in Words''. London: Harvill, 1993. ISBN 0002720221 |
− | * Warren F. | + | * Motte, Warren F. ''The Poetics of Experiment: A Study of the Work of Georges Perec''. Lexington, KY: French Forum, 1984. ISBN 0917058518 |
− | * | + | * Schwartz, Paul. "Georges Perec: Traces of His Passage''. Birmingham, AL: Summa Publications, 1988. ISBN 0917786602 |
==External links== | ==External links== | ||
− | + | All links retrieved May 21, 2024. | |
− | + | ||
− | + | *[http://www.associationgeorgesperec.fr/ Association Georges Perec], in French | |
− | *[http://www. | ||
− | |||
− | |||
*[http://www.imdb.com/title/tt0439793/ ''Récits d'Ellis Island'' at IMDB] | *[http://www.imdb.com/title/tt0439793/ ''Récits d'Ellis Island'' at IMDB] | ||
*[http://www.imdb.com/title/tt0192718/ ''Un homme qui dort'' at IMDB] | *[http://www.imdb.com/title/tt0192718/ ''Un homme qui dort'' at IMDB] | ||
*[http://www.imdb.com/title/tt0357862/ ''Les Lieux d'une fuge'' at IMDB] | *[http://www.imdb.com/title/tt0357862/ ''Les Lieux d'une fuge'' at IMDB] | ||
− | [[Category: | + | [[Category:Biography]] |
+ | [[Category:Writers and poets]] | ||
+ | |||
{{credit|107216423}} | {{credit|107216423}} |
Latest revision as of 15:15, 21 May 2024
Georges Perec (March 7, 1936 – March 3, 1982) was a twentieth-century Jewish French novelist, filmmaker and essayist, and a key member of Oulipo, a twentieth-century literary movement advocating the invention of new, complex literary forms. Perec is widely considered one of the most innovative and technically accomplished of twentieth-century fiction writers; his works include La disparation (A Void), a novel written entirely without use of the letter "e," and La vie, mode d'emploi (Life: A User's Manual), a novel describing every room and inhabitant of a single Paris apartment complex.
Acclaimed for his formal brilliance as well as for his wit, wordplay, and delicate sense of melancholic irony, Perec is one of the most important authors of twentieth-century French literature, and one of the most widely influential fiction writers of the post-World War II generation.
Life
Georges Perec was born on March 7, 1936 in a working class neighborhood in Paris, the only son of Icek Judko and Cyrla (Schulewicz) Peretz, Polish Jews who had emigrated to France in the 1920s. He was a distant relation of Yiddish writer I.L. Peretz. Perec's father enlisted in the French Army during World War II and died in 1940 from unattended gunfire or shrapnel wounds. Perec's mother perished in the Nazi Holocaust, probably in the Auschwitz death camp. Perec was taken into the care of his paternal aunt and uncle in 1942, and in 1945 he was formally adopted by them.
He started writing reviews and essays for Nouvelle Revue Française and Les Lettres Nouvelles, prominent literary publications, while studying history and sociology at the Sorbonne. In 1958-1959 Perec served in the army, marrying Paulette Petras after being discharged. They spent one year (1960-1961) in Tunisia, where Paulette worked as a teacher.
In 1961, Perec began working as an archivist at the Neurophysiological Research Laboratory attached to the Hôpital Saint-Antoine, a low paid position he kept until 1978. A few reviewers have noted that the daily handling of records and variegated data may have had an influence on his literary style. Perec's other major influence was the literary movement Oulipo, short for Ouvroir de Littérature Potentielle (Workshop of Potential Literary) which he joined in 1967 after meeting Raymond Queneau. Perec dedicated his masterpiece, La Vie mode d'emploi (Life: A User's Manual) to Queneau, who died before it was published.
Perec began working on a series of radio plays with his translator Eugen Helmle and the musician Philippe Drogoz in the late 1960s; less than a decade later, he was making films. His first work, based on his novel Un Homme qui dort, was co-directed by Bernard Queysanne, and won the Prix Jean Vigo in 1974. Perec also created crossword puzzles for Le Point from 1976 on.
La Vie mode d'emploi (1978) brought Perec great financial and critical success—winning the Prix Médicis—which allowed Perec to turn to writing full-time. He was a writer in residence at the University of Queensland, Australia in 1981, during which time he worked on the unfinished 53 Jours (53 Days). Shortly after his return from Australia, his health deteriorated. A heavy smoker, he was diagnosed with lung cancer. He died the following year, only forty-five years old.
Work
Many of Perec's novels and essays abound with experimental wordplay, lists, and other novel formal innovations. Beneath the irony, playfulness, and experimentation of his works, many critics have also noticed a deeper melancholy, reflecting Perec's search for new forms of meaningful expression in the radically changing world of the twentieth century. Perec is widely considered to be one of the most influential formal innovators of fiction of the twentieth century, ranking alongside the like of Joyce and Borges for sheer inventive genius.
In 1978, Perec won the prix Médicis for Life: A User's Manual which is universally considered to be his masterpiece. Each of the 99 chapters of the novel examine a different room of a Parisian apartment complex, describing inhabitants and revealing touching stories just beneath the surface of even the most unassuming of locales.
Perec is also noted for his 300 page novel La disparition (1969), a seemingly straightforward detective novel, which is a lipogram written entirely without the letter "e." It has been translated into English by Gilbert Adair under the title A Void (1994). Likewise, Perec's novella Les revenentes (1972) is a complementary piece in which the letter "e" is the only vowel used. This even affects the title, which would conventionally be spelled Revenantes. An English translation by Ian Monk was published in 1996 as The Exeter Text: Jewels, Secrets, Sex in the collection Three.
W ou le souvenir d'enfance, (W, or, the Memory of Childhood, 1975) is a semi-autobiographical work, where Perec masterfully interweaves two storylines. Two alternating narratives make up the volume, one a fictional outline of a totalitarian island country called "W," patterned partly on life in a concentration camp, and the second, descriptions of childhood, that merge towards the end when the common theme of the Holocaust emerges.
Legacy
Perec is widely considered one of the most innovative and technically accomplished of twentieth-century fiction writers. His La disparation (A Void) is a novel written entirely without use of the letter "e." La vie, mode d'emploi (Life: A User's Manual) is a novel describing every room and inhabitant of a single Paris apartment complex.
Acclaimed for his formal brilliance as well as for his wit, wordplay, and delicate sense of melancholic irony, Perec is one of the most important authors of twentieth-century French literature, and one of the most widely influential fiction writers of the post-World War II generation.
Bibliography
The most complete bibliography of Perec's works is Bernard Magné Tentative d'inventaire pas trop approximatif des écrits de Georges Perec (Toulouse, Presses Universitaires du Mirail, 1993).
Works by Perec
Year | Original French | English Translation |
---|---|---|
1965 | Les Choses: Une histoire des années soixante (Paris: René Juillard, 1965) | Things: A Story of the Sixties in Things: A Story of the Sixties & A Man Asleep trans. by David Bellos and Andrew Leak (London: Vintage, 1999) |
1966 | Quel petit vélo à guidon chromé au fond de la cour? (Paris: Denoël, 1966) | Which Moped with Chrome-plated Handlebars at the Back of the Yard?, trans. by Ian Monk in Three by Perec (Harvill Press, 1996) |
1967 | Un homme qui dort (Paris: Denoël, 1967) | A Man Asleep, trans. by Andrew Leak in Things: A Story of the Sixties & A Man Asleep (London: Vintage, 1999) |
1969 | La Disparition (Paris: Denoël, 1969) | A Void, trans. by Gilbert Adair (London: Harvill, 1994) |
1969 | Petit traité invitant à la découverte de l'art subtil du go, with Pierre Lusson and Jacques Roubaud (Paris: Christian Bourgois, 1969) | - |
1972 | Les Revenentes, (Paris: Julliard, 1972) | The Exeter Text: Jewels, Secrets, Sex, trans. by Ian Monk in Three by Perec (Harvill Press, 1996) |
1972 | Die Maschine, (Stuttgart: Reclam, 1972) | The Machine, trans. by Ulrich Schönherr in "The Review of Contemporary Fiction: Georges Perec Issue: Spring 2009 Vol. XXIX, No. 1" (Chicago: Dalkey Archive, 2009) |
1973 | La Boutique obscure: 124 rêves, (Paris: Denoël, 1973) | - |
1974 | Espèces d'espaces (Paris: Galilée 1974) | Species of Spaces and Other Pieces, ed. and trans. by John Sturrock (London: Penguin, 1997) |
1974 | Ulcérations, (Bibliothèque oulipienne, 1974) | - |
1975 | W ou le souvenir d'enfance (Paris: Denoël, 1975) | W, or, the Memory of Childhood, trans. by David Bellos (London: Harvill, 1988) |
1975 | Tentative d'épuisement d'un lieu parisien (Paris: Christian Bourgois, 1975) | An Attempt at Exhausting a Place in Paris, trans. by Marc Lowenthal (Cambridge, MA: Wakefield Press, 2010) |
1976 | Alphabets illust. by Dado (Paris: Galilée, 1976) | - |
1978 | Je me souviens, (Paris: Hachette, 1978) | Memories, trans./adapted by Gilbert Adair (in Myths and Memories London: Harper Collins, 1986) |
1978 | La Vie mode d'emploi (Paris: Hachette, 1978) | Life: A User's Manual, trans. by David Bellos (London: Vintage, 2003) |
1979 | Les mots croisés, (Mazarine, 1979) | - |
1979 | Un cabinet d'amateur, (Balland, 1979) | A Gallery Portrait, trans. by Ian Monk (in Three by Perec Harvill Press, 1996) |
1979 | film-script: Alfred et Marie, 1979 | - |
1980 | La Clôture et autres poèmes, (Paris: Hachette, 1980) | - |
1980 | Récits d'Ellis Island: Histoires d'errance et d'espoir, (INA/Éditions du Sorbier, 1980) | Ellis Island and the People of America (with Robert Bober), trans. by Harry Mathews (New York: New Press, 1995) |
1981 | Théâtre I, (Paris: Hachette, 1981) | - |
1982 | Epithalames, (Bibliothèque oulipienne, 1982) | - |
1982 | prod: Catherine Binet's Les Jeux de la Comtesse Dolingen de Gratz, 1980-82 | - |
1985 | Penser Classer (Paris: Hachette, 1985) | Thoughts of Sorts, trans. by David Bellos (Boston: David R. Godine, 2009) |
1986 | Les mots croisés II, (P.O.L.-Mazarine, 1986) | - |
1989 | 53 Jours, unfinished novel ed. by Harry Mathews and Jacques Roubaud (Pari: P.O.L., 1989) | 53 Days, trans. by David Bellos (London: Harvill, 1992) |
1989 | L'infra-ordinaire (Paris: Seuil, 1989) | - |
1989 | Voeux, (Paris: Seuil, 1989) | - |
1991 | Cantatrix sopranica L. et aitres écrits scientifiques, (Paris: Seuil, 1991) | Cantatrix sopranica L. Scientific Papers with Harry Mathews (London: Atlas Press, 2008) |
1992 | L.G.: Une aventure des années soixante, (Paris: Seuil, 1992) | - |
1993 | Le Voyage d'hiver, 1993 (Paris: Seuil, 1993) | The Winter Journey, trans. by John Sturrock (London: Syrens, 1995) |
1994 | Beaux présents belles absentes, (Paris: Seuil, 1994) | - |
1999 | Jeux intéressants (Zulma, 1999) | - |
1999 | Nouveaux jeux intéressants (Zulma, 1999) | - |
2003 | Entretiens et conférences (in 2 volumes, Joseph K., 2003) | - |
Film
- A Man Asleep - (film in 1973, with Bernard Queysanne)
- Les Lieux d'une fugue, 1975
- Ellis Island (TV film with Robert Bober)
ReferencesISBN links support NWE through referral fees
- Bellos, David. Georges Perec: A Life in Words. London: Harvill, 1993. ISBN 0002720221
- Motte, Warren F. The Poetics of Experiment: A Study of the Work of Georges Perec. Lexington, KY: French Forum, 1984. ISBN 0917058518
- Schwartz, Paul. "Georges Perec: Traces of His Passage. Birmingham, AL: Summa Publications, 1988. ISBN 0917786602
External links
All links retrieved May 21, 2024.
- Association Georges Perec, in French
- Récits d'Ellis Island at IMDB
- Un homme qui dort at IMDB
- Les Lieux d'une fuge at IMDB
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